SAMPLES

Real output. Zero retouching.

Everything below came straight out of the product — the same buttons you'll click. Judge the edges yourself, then try your own image; the free tools run entirely in your browser.

The gauntlet — flowing hair against a busy forest

The gauntlet — flowing hair against a busy forest — before
Complex scene: subject, flowers, path, cabin, mountains
The gauntlet — flowing hair against a busy forest — after
Subject layer — wavy hair separated from trees

The hardest everyday case: loose hair against a detailed forest, thin dress straps, flowers crowding the subject. One click of Separate subject (server · 1 cr). The background below was then fully rebuilt behind her — base fill plus a native-resolution HD refinement pass — so the empty scene works as a photo in its own right. Test scene generated for this demo.

The same scene, subject removed entirely

The same scene, subject removed entirely — before
With subject
The same scene, subject removed entirely — after
Background rebuilt (fill + HD refine)

Meadow, path, and forest continue where the subject stood. No invented objects, native resolution. This is the layered file's background layer, usable on its own.

Subject separation — fine hair, real edges

Subject separation — fine hair, real edges — before
Flat photo in
Subject separation — fine hair, real edges — after
Subject layer out

One click on the subject. Individual hair strands and the frayed scarf edge survive the cut — this is the server model (1 credit); the free in-browser model is one notch behind it.

The hard case — black dog, dark floor

The hard case — black dog, dark floor — before
Low contrast original
The hard case — black dog, dark floor — after
Clean cutout, whiskers intact

Low-contrast subjects are where background removers usually fall apart. The mask keeps the whiskers.

Fill behind — the layer underneath gets completed

Fill behind — the layer underneath gets completed — before
Lifted subject leaves a hole
Fill behind — the layer underneath gets completed — after
AI fills the background (2 cr)

Lift a subject and the background layer keeps a hole — unless you fill it. Every layer becomes independently movable: no Swiss cheese.

Object-sized fills are seamless

Object-sized fills are seamless — before
Before
Object-sized fills are seamless — after
After — find the seam

Typical object lifts leave holes this size. The fill is indistinguishable at full zoom.

Your image next.

Free, no account, and it stays on your device.

Try it on an image